Skip to content

Improve your Gippslandia browsing experience by using Chrome or Safari.

Contribute to Gippslandia and support positive local storytelling. — donate here

Connecting Gippsland through
positive storytelling.

Shop GippslandiaSupport Gippslandia

Connecting Gippsland through positive storytelling.

FeatureChange

(What if) We did something (?)

Jan 5, 2023


Words: Emma Hearnes
Images: Supplied

Contribute to support more positive local storytelling.

Support

“When I moved regionally, I discovered there was so much more than I had naively assumed. There is freedom, innovation and positivity...”

Subscribe to Gippslandia

Like Gippslandia’s founders, who started this publication in response to the negative press surrounding the 2017 Hazlewood mine closure, Annabelle wanted to change the narrative about regional towns. “I wanted to be one of the voices that created a more rounded picture of what regional life is like, reflect the kind of people I was meeting and be a bridge to connect people, like me, who knew nothing about regional Australia.”

Galah Press is what resulted – an award-winning independent print magazine documenting regional Australia. Print media is a bold (and risky) venture in the age of pixelated media consumption, but there was no alternative for Annabelle. “I love being able to hold a publication, fold the page and underline things. For me, it differentiates digital reading, like the daily news, from reading for pleasure.”

This medium also reflects what Annabelle loves about regional life – the unhurried pace, the enduring quality and the space to explore the rich nuances present.

With eight thoughtfully crafted editions out in the world, Galah has told 240 stories from regional and rural Australia, published 106 writers and 93 photographers, and most recently established a photography prize to celebrate, support and advance the practice of regional photographers.

Finalists were exhibited in a beloved northern NSW gallery and there was $25,000 prize money for the winner – which Annabelle proudly notes is “on par with the most prestigious, long-running photography prizes in the country”. This fact sends a powerful message about the excellence of regional Australian artists and the investment they deserve. “You can be top of your game as a photographer and live in Bourke or live in Boomi.”

According to the Regional Australia Institute, more people are migrating from capital cities to regional Australia than ever before – during the last census (2016–21) 614,144 people made the move. The net gain for the regions in this period was almost triple that of the previous intercensal period.

So what role do regional publications play in this period of growth?

“I don’t think regional publications can take any significant credit for the tree-change movement – although city readers often email me, saying Galah makes them feel more confident about a move to the country – but I do think we have a duty to reflect the changing culture of regional Australia.

“The culture of old-school farmers and cups of tea on verandas remains, but there is so much diversity beyond that. Young professionals working remotely, thriving artists, people saving the spotted quoll, immigrants setting up their own businesses... the list goes on and on and on. It’s really exciting that there are so many different ways to live a country life in 2023.”

Adele Packer, cofounder of the Halfway Print Fest, adds, “Independent publications play a huge role in celebrating regional communities. Whether it be a community newsletter, an anthology of poems, a quarterly magazine, the local high school’s yearbook or a one-off zine made by your neighbour's kid – all of these publications hold value. Storytelling has the power to foster belonging and connection, build communities and sustain cultural futures for regional areas. When regional stories are told, they are valued.”

While enthusiastically agreeing with Annabelle and Adele, Gippslandia’s own editor, Tim Leeson, adds, “An independent regional publication can shine a light on people or facets of the community you may not otherwise see. There’s a real impact in fulfilling ‘if you can see it, you can be it’, which benefits us all.”

So, more accurately, thank the publication gods for Annabelle Hickson, for Adele Packer and for everyone who has contributed to Gippslandia.

For every voice from the bush, boldly sharing their story.

You can find out more about Galah at galahpress.com and @galah.press.

Another cracking regional publication is Pandaemonium, who recently penned this rad piece on independent media (which we feature - thanks) and a cool article titled 'Are all the cool kids leaving the city?'. Learn more about this wonderful media outlet here: www.pandaemonium.org

Gippslandia - Issue No. 29

Find, Subscribe or Download.

Did you enjoy this article? Let us know on Facebook or Instagram.

More in

    Gippsland

Share this article

FacebookTwitterEmail
FacebookTwitterEmail

Read this next

FeatureChange

(What if) You were passionate about an idea too (?)

As Tasha Wright enthuses, "An innovative startup can come from anywhere!". Here are some... Read more


More in Change

FeatureChange

How do you see Gippsland’s forests?

The future of our forests depends on how we understand their impact on our lives. Sure, they can be... Read more

Support Gippslandia

Support from our readers is what keeps the lights on and the printing presses running.

Support

Browse topics

Food & Drink

Explore regions

East Gippsland Shire

Partners

Gippslandia is made possible thanks to our supporting partners. They are businesses that believe in the value of sharing optimistic tales from our great region. We encourage you to support them in return, as without them, Gippslandia wouldn’t exist.

About Gippslandia

Gippslandia is a community, non-profit publication. We curate an ever-optimistic take on regional, national and global issues, in a local context. Leaving you feeling like a Gippslandia local, no matter where you’re from. Read more

© 2021 Gippslandia, All rights reserved